-
Home
- Art & Culture
Art & Culture
- Details
- Written by Silvia G. Golan
For the first time: Following the Abraham Accords, a virtual stamp exhibition AAPE 2021 of the best philatelic collections of Israel the United States and the United Arab Emirates.
The exhibition will be open to the public from June 15th until June 30th free of charge
The Abraham Accords Philatelic Exhibition (AAPE 2021) is a virtual exhibition of stamps and other philatelic items. The exhibition is part of the implementation of the Abraham Accords in the field of philately. It is organized the Israeli Philatelic Federation (IPF).
The exhibition, which will open on June 15th and close of June 30th will include 5 different categories, and many rare and expensive items, some of which are centuries old. Among the different categories are:
- Traditional Philately: Collections that focus on the stamps of a single country at a certain time. For example, one of the Israeli exhibits in this category is devoted to the early stamps of Mozambique. Another collection from the U.S. is about the first stamps of Israel (“Doar Ivri” stamps), and shows the “behind the scene” items of that issue: the original artist proposals, the debate about the name of the country not yet born, early production steps, complete sheets and the perforation trials.
- Postal History: Collections of letters sent through the mail at a specific time to and from a specific place. For example, one of the exhibits depicts letter sent to and from the holy land during the Ottoman period. Another exhibit is devoted to letters that were sent throughout the Mediterranean by airmail in airplanes that experienced crashes, and yet survived the ordeal. Collectors form the UAE will exhibit some collections of the postal history of the emirates from the British era, when the Emirates were known as “the Trucial States”.
- Thematic Philately: Collections by themes, such as animals or flowers. The exhibit will include an American exhibit on palm trees, and an Israeli collection devoted to the game of chess, making a comparison between “the game of war” and real life warfare.
- Picture postcards: One of the exhibits here is a pilgrim tour in the Holi land around the end of the 19th century. Through postcards that are over 100 years old the exhibitor shows what a pilgrim saw while visiting the places sacred to Christianity, and the experience he had gone through. Another collection shows “Shana Tova” postcards, while a third collections takes us to Shanghai in the late 19th century.
- Court of Honor: One exhibit from each of the participating countries, which have previously won top awards in exhibitions worldwide.
Overall, each of the three countries will be represented by up to 9 collections, with at least half of them being related to the Middle East.
The exhibits included in AAPE 2021 will be judged by a panel of experienced judges from the three countries. The members of the jury are experienced collectors and exhibitors, who were specially trained on how to evaluate philatelic exhibits.
AAPE 2021 will open on June 15th and end on June 30th at www.aape2021.com
The exhibition is organized by the Israeli Philatelic Federation (IPF), a non profit organization that promotes stamp collecting in the country. The IPF works in collaboration with the Israeli Philatelic Service, and is supported by the Israeli post. The IPF was founded in 1945, and a year later was accepted as a member of the international Federation of Philately (the F.I.P).
Despite the technological advances and the emergence of social media all the countries of the world still issue stamps that reflect their values and commemorate their countries and their way of living.
The virtual stamp exhibition AAPE 2021, which includes collections from Israel, the United States and the United Arab Emirates will be open to the public free of charge from June 15th till June 30th at www.aape2021.com
AAPE 2021 will open on June 15th and end on June 30th at www.aape2021.com
Photos courtesy Israeli Philatelic Federation (IPF)
- Details
- Written by Israel Antiquities Authority
New Light on an Ancient Past:
A renewal project in Tel Ashkelon National Park will reveal the spectacular archaeological remains of a magnificent 2,000-year-old Basilica
The Roman Basilica complex, the largest of its kind in the country, was unearthed in Israel Antiquities Authority archaeological excavations as part of an extensive development project in the national park led by the Nature and Parks Authority, Ashkelon Municipality and the Leon Levy Foundation. On completion of the conservation and restoration work, the complex will be adapted for visitors. The development work also includes the construction of a new network of accessible paths showcasing the park’s unique nature, heritage and landscape.
Tel Ashkelon National Park has recently undergone extensive development work, initiated and funded by the Nature and Parks Authority, Ashkelon Municipality and the Leon Levy Foundation, during which the Israel Antiquities Authority recently revealed a magnificent 2,000-year-old basilica that is the largest of its kind in Israel.
The exciting finds, which also include an ancient odeon (theater), are now being revealed for the first time and will soon be open to visitors to Tel Ashkelon National Park, enhancing the visitor experience at the site. The site will be opened on completion of the development, conservation and restoration work, which includes erecting sculptures and marble columns found in excavations at the site.
The Nature and Parks Authority and the Ashkelon Municipality are also developing and constructing a new network of accessible paths designed to showcase and provide better access to the park’s unique nature, heritage and landscape, thereby enhancing the visitor experience.
During the Roman period, the public life of the city revolved around its basilica (a Roman public building), where its citizens transacted business, met for social and legal matters, and held performances and religious ceremonies.
According to Dr. Rachel Bar-Natan, Saar Ganor and Fredrico Kobrin, excavation directors on behalf of the Israel Antiquities Authority, “The huge building is covered with a roof and divided into three parts – a central hall and two side halls. The hall was surrounded with rows of marble columns and capitals, which rose to an estimated height of 13 meters and supported the building’s roof. The floor and walls were built of marble.”
The marble, discovered during many years of archaeological excavations lasting until two years ago, was imported from Asia Minor in merchant ships that reached the shores of Ashkelon, which was a famous, bustling trade city. Roughly 200 marble items weighing hundreds of tons have been found in all, testifying to the building’s great splendor. Among the items, dozens of column capitals with plant motifs were discovered, some bearing an eagle – the symbol of the Roman Empire. Pillars and heart-shaped capitals stood in the corners of the building. Excavations by the British in the 1920s unearthed huge statues, including a statue of Nike, the goddess of victory, supported by the god Atlas holding a sphere, and a statue of Isis – an Egyptian deity depicted as Tyche, the city’s goddess of fortune.
The basilica was devastated in the earthquake that struck the country in 363 CE. The effects of the seismic waves are clearly visible on the building’s floor, providing tangible evidence of the events of that year in Ashkelon. After its destruction, the building was abandoned. During the Abbasid and Fatimid periods, the site of the basilica was transformed into an industrial area and several installations were built in it. In one of these, marble pillars and capitals from the basilica were incorporated in secondary use in the buildings’ walls. There is evidence from the Ottoman period that marble items were cut up for use as paving stones and some of the beautiful architectural features were taken for building construction.
The conservation department of the Israel Antiquities Authority is conducting complex preservation and restoration work on the odeon and the impressive basilica, led by the Nature and Parks Authority and generously funded by the Leon Levy Foundation. The work involves placing the spectacular marble sculptures of ancient Ashkelon in the southern part of the basilica. In the first stage, the odeon will be conserved and restored. Thanks to the Leon Levy Foundation’s donation, it will incorporate modern seating, a stage and a series of explanatory signs. At the same time, a pilot program at the site has begun installing the impressive marble items in place, in a complex operation in which one of the pillars, weighing dozens of tons, was hoisted into the basilica. The floor of the excavated basilica will be restored and filled in, and additional columns will be placed around the perimeter based on lessons learned from the initial program. The public will then be able to access a magnificent basilica, the largest in Israel. In the meantime, visitors will be able to sit on the seating in the odeon – to be completed in the coming months – and observe the work on the nearby basilica.
Meanwhile, the new system of accessible paths being developed by the Nature and Parks Authority and Ashkelon Municipality in the national park aims to make the park’s unique nature, heritage and landscape more readily available, thereby enhancing the visitor experience. The route, about 2 km long, will go through the national park’s main sites, including the world’s oldest arched Canaanite gate, the famous wells of the ancient city, the basilica and the odeon, and the Crusader walls. This chronological trail tracing Ashkelon’s history through the ages will be clearly lined with content signage. A second trail will lead to the ancient wall and Ashkelon’s dunes, providing a glimpse of the rich flora and fauna to the south of the national park. Between the two trails, in the center of the park, a new visitor center will illustrate in an experiential interactive way the vibrant life of the port city and its importance throughout the various periods.
According to Shaul Goldstein, CEO of the Israel Nature and Parks Authority, “The Tel Ashkelon National Park combines a fascinating antiquities site with unique natural resources characteristic of the dunes in the coastal plain. It was the first national park to be declared in Israel in the 1960s and since then, it has been constantly evolving and renewing for the benefit of visitors from all over the country. The unveiling of the basilica and odeon together with the development, preservation and restoration work, which includes the installation of pillars and ancient marble sculptures found in excavations at the site, as well as the addition of new and accessible trails around points of major interest will undoubtedly enhance visits to the park and further emphasize its heritage and uniqueness. We are grateful to our partners for providing tremendous support and guidance in the national park’s development, including the generous assistance of Mrs. Shelby White and the Leon Levy Foundation under the close supervision of archaeologist Prof. Daniel Master.”
Ashkelon Mayor Tomer Glam says, “The Ashkelon National Park is one of the most important ancient sites, both in Israel and in the world, and time and time again it emerges as one of the most visited sites in the country. The city takes great pride in it, investing resources and funding in cooperation with the Nature and Parks Authority, encouraging visitors by subsidizing entry for Ashkelon’s residents and promoting educational and community initiatives. We have recently also finished upgrading the entrance road to the park, which has been transformed to give the park the dignity it deserves. I am convinced that the restoration and conservation work in the park, the new archaeological discoveries and the development work – including new accessible paths – will contribute significantly to the park’s natural beauty and strengthen its status as the most beautiful and well-kept national park in Israel.”
Shelby White, founder of the Leon Levy Foundation, explains that the conservation and restoration work was made possible, among other things, thanks to its generous donation, “When Leon and I visited Ashkelon in 1985, we did not imagine that our ties with that ancient seaport would last for over three decades. I am glad that the odeon, one of the many archaeological discoveries made by the Leon Levy expedition, will now be restored and the famous Roman sculptures of Ashkelon will be returned to their original location. Thanks to this, visitors to the Ashkelon National Park from Israel and around the world will be able to imagine this great city in all its ancient glory.”
“The basilica was founded by Herod the Great, and one historical source suggests that his family came from the city of Ashkelon,” add Ganor, Dr. Bar-Natan and Kobrin of the Israel Antiquities Authority. “During the Roman Severan Dynasty, in the second and third centuries CE, the building was renovated, marble architectural features were brought to the site and a small theater was added. Herodian coins discovered in the bedding of the structure’s ancient floors show that it was built at the time of one of the greatest builders ever to have lived in the country. The writings of the historian Josephus mention Herod’s construction in the city of Ashkelon and list fountains, a bathhouse and colonnaded halls. Today, based on the new archaeological evidence, we can understand the origins of the historical record.”
Photos
Dr. Rachel Bar-Natan at the Excavation of the basilica in the Tel Ashkelon National Park. Photo Yoli Schwartz Antiquities Authority
The Basilica and Odeon Complex in Tel Ashkelon National Park - Yaniv Cohen Nature and Parks Authority
- Details
- Written by Silvia G. Golan
Tel Aviv Museum of Art presents an Special Exhibition - Guest Artist Amadeo Modigliani, among friends
Open from 11/5/21 till 1/9/21
The exhibition is supported by the Italian Cultural Institute, Tel Aviv, and the Italian Embassy in Israel; and is presented courtesy of the National Gallery of Modern and Contemporary Art, Rome, and The Israel Museum, Jerusalem
Amadeo Modigliani arrived in Paris from his native Italy in 1906, at the age of 21. It was a time of sweeping changes in Europe in all areas: Einstein’s discoveries, Freud’s psychoanalysis conferences, innovative technologies such as the cinema, and more. All of these gave rise to new social outlooks. In Paris, the bourgeoisie had sprung up, and the far-reaching urban changes that began about half a century earlier were being completed, transforming the city’s cultural and leisure life. About a quarter of the city’s population were immigrants from across the continent, seeking a new future for themselves, including a group of artists and poets that congregated in the Montmartre district, searching for new modes of expression to fit the modern Zeitgeist. Among these members of the avant-garde, Modigliani’s dominant personality stood out.
When his frail health forced him to abandon his plans to become a sculptor, Modigliani focused on portrait paintings until the end of his short life (he died at the age of 36 from complications of tuberculosis aggravated by alcoholism and drug use). He had a penchant for painting portraits of individuals of the lower-middle-class fringes of society – and his immediate surroundings, which included many immigrants of different nationalities, offered a rich variety of characters as subjects. He used to sell his drawings in cafés or give them away in return for a drink
While Modigliani was well versed in French language and culture, he celebrated the fact that he was different and made a point of introducing himself with the words, “My name is Modigliani, and I am Jewish.” In his artistic path, too, he developed his own unique style, quite distinct from those that prevailed among his avant-garde contemporaries. In his early years in Paris he often visited the Louvre, where he studied – through hundreds of sketches – ancient African, Egyptian, and classical Greek sculptures. Clear traces of these can be seen in the assured curved lines and facial features in Modigliani’s early drawings in the Museum’s collection. These continued to characterize his individual style even as a mature artist, when he painted many portraits of live models
On the centenary of Modigliani’s death, his works are exhibited alongside the works of other artists – Chaïm Soutine, Moïse Kisling, Jules Pascin, and others – who were also active in Montmartre at the time, and shared ideas and influences. These artists, most of them Jewish, came to be known as the Paris School. The renewed encounter between them is aided by the figure of Chana Orloff (1888–1968), an esteemed sculptor also active at that time in Paris. She also played a key role in the founding of the Tel Aviv Museum, introducing Marc Chagall as an advisor to its founder, Meir Dizengoff. Selected fragments from her memories of this period, published in 1949 by Haim Gamzu – then the Museum’s director – are presented to accompany the works. They invite us to return to the Paris of the early twentieth century, to observe the diverse figures that gathered in its streets and cafés, and to become acquainted with the spirit of the avant-garde period that gave rise to one of the greatest painters of the twentieth century
Photo courtesy T A M P.R
- Details
- Written by Israel Antiquities Authority
*Invitation* The Israel Antiquities Authority is pleased to offer to the public another virtual Dead Sea Scrolls conference on June 6, 7, 8, and 9, 2021.
Join us for The Dead Sea Scrolls: A Second Public Conference co-sponsored by the Friends of the IAA with NYU Global Network for Advanced Research in Jewish Studies and Skirball Department of Hebrew & Judaic Studies.
This conference follows our Dead Sea Scrolls in Recent Scholarship virtual conference in May 2020 that exceeded all expectations. More than 1500 individuals from all over the world including Bangladesh, India, Nigeria, Paraguay, and Tanzania participated in this first-ever international Dead Sea Scrolls conference.
More than three dozen scholars from around the world will gather online to share their research on the Dead Sea Scrolls. With the recent announcement of new Judean cave finds, including dozens of fragments of a biblical scroll from the Bar Kokhba period, this conference on the latest Dead Sea Scrolls research and findings is not to be missed. Recordings of last year's conference are available here. Registration is again free and will be required
Hear from international scholars and experts from the Israel Antiquities Authority, and from Israel, the United States, Canada, United Kingdom, Malta, Switzerland, Denmark, and France.
Session topics include: Major Issues in Dead Sea Scrolls Research; the Judean Desert Caves Archaeological Project; Archaeology of Qumran; Archaeology and Sectarianism; Manuscript and Text; Aramaic and Parabiblical Texts; Legal and Sectarian Texts; Scripture, Scrolls and Second Temple Judaism; and War and Violence in the Scrolls
This virtual conference is presented free to the public by the Israel Antiquities Authority, Friends of the Israel Antiquities Authority and NYU, Global Network for Advanced Research in Jewish Studies & the Skirball Department of Hebrew and Judaic Studies.
For any questions about the schedule or registration process, please send an email here
THE DEAD SEA SCROLLS: A SECOND PUBLIC CONFERENCE Sponsored by: New York University
Global Network for Advanced Research in Jewish Studies
Skirball Department of Hebrew and Judaic Studies
The Israel Antiquities Authority
Friends of the Israel Antiquities Authority
Sunday June 6, 2021
11:00 - 11:30 AM EDT [6:00 - 6:30 PM IDT]: Opening Session
Presiding Chair and Opening Remarks
Alex Jassen, Chair, Skirball Department of Hebrew & Judaic Studies, New York University Greetings
Andrew D. Hamilton, President New York University
Gideon Avni, Head Scientist, Israel Antiquities Authority
Emily Master, Friends of the Israel Antiquities Authority
Joe Uziel, Head of the Dead Sea Scrolls Unit, Israel Antiquities Authority
11:30 AM – 1:00 PM EDT [6:30 - 8:00 PM IDT]: Report on the Judean Desert Caves Archaeological Project
Chair: Ilit Cohen-Ofri, Israel Antiquities Authority
The Judean Desert Caves Archaeological Project: Goals, Methodology and Achievements Eitan Klein, Israel Antiquities Authority
Excavations in Murabba`at Cave 4: Preliminary Insights
Haim Cohen, Israel Antiquities Authority
1
“And I will bring them to dwell in Jerusalem”: New Fragments of the Greek Minor Prophets Scroll (8HevXII gr)
Oren Ableman and Beatriz Riestra, Israel Antiquities Authority
1:00 - 1:30 PM EDT [8:00 - 8:30 PM IDT]: Break
1:30 - 3:30 PM EDT [8:30 - 10:30 PM IDT]: Major Issues in Dead Sea Scrolls Research Chair: Angela Kim Harkins, Boston College
Scribal Text Groups among the Bible Manuscripts Found in the Judean Desert Emanuel Tov, Hebrew University of Jerusalem
Evidence for Scribal Apprenticeship and Education at Qumran
Sidnie White Crawford, University of Nebraska
What Do We Know about the Teacher of Righteousness?
John J. Collins, Yale University
Troops of Light: Militant Prayer and Ritual Cursing in the Dead Sea Scrolls
Daniel Falk, Penn State University
Monday, June 7, 2021
9:00 - 10:30 AM EDT [4:00 - 5:30 PM IDT]: Archaeology of Qumran
Chair: Molly Zahn, University of Kansas
Qumran in the Late Hellenistic Period: An Archaeological Reassessment.
Dennis Mizzi, University of Malta
To Sit or to Squat? The Qumran Toilet Revisited
Jodi Magness, University of North Carolina
Searching for Qumran Cave 6Q
Marcello Fidanzio, Faculty of Theology, Lugano
2 10:30 - 11:00 AM EDT [5:30 - 6:00 PM IDT]: Break
11:00 AM - 12:30 PM EDT [6:00 - 7:30 PM IDT]: Archaeology and Sectarianism Chair: Jodi Magness, University of North Carolina
The Archaeology of Sectarianism: Social Analysis of Khirbet Qumran
Eyal Regev, Bar-Ilan University
The Gate of the Essenes in Jerusalem
Timothy H. Lim, University of Edinburgh
A Comprehensive Analysis of the Tefillin (Phylacteries) Assemblage from the Judean Desert: A Work-in-Progress
Yonatan Adler, Ariel University
12:30 - 1:00 PM EDT [7:30 - 8:00 PM IDT]: Break
1:00 - 3:00 PM EDT [8:00 - 10:00 PM IDT]: Launching the Qumranica (SQE) Virtual Scholarly Environment
Chair: Esther Chazon
Scripta Qumranica Electronica: The Vision, Concept, and Challenges of a New Online Platform for the Dead Sea Scrolls
Reinhard Kratz, University of Göttingen and Pnina Shor, Israel Antiquities Authority
A Short Tour of the Qumranica Platform
Bronson Brown deVost, University of Göttingen
Digital and Material Reconstruction of Highly Fragmentary Scrolls
Jonathan Ben-Dov, Tel Aviv University and Eshbal Ratzon, Ariel University
Towards a New Edition of 4QInstruction: The Case of the Prologue
Asaf Gayer, Hebrew University of Jerusalem
3 Tuesday, June 8, 2021
9:00 - 11:00 AM EDT [4:00 - 6:00 PM IDT]: Manuscript and Text
Chair: Eileen Schuller, McMaster University
Do 11Q19 and 11Q20 Represent Different Recensions of the Temple Scroll? Methodological Considerations
Andrew Gross, Catholic University of America
4QpaleoExodm (4Q22) and the ‘Samaritan’ Tenth Commandment.
Hila Dayfani, University of Oxford, Oriel College
Pesher Habakkuk: From Behind the Scenes of a Forthcoming New Commentary Noam Mizrachi, Hebrew University of Jerusalem
The Dead Sea Scrolls and Authorship
George Brooke, University of Manchester
11:00 - 11:30 AM EDT [6:00 - 6:30 PM IDT]: Break
11:30 AM - 2:00 PM EDT [6:30 - 9:00 PM IDT]: Aramaic and Parabiblical Texts Chair: Joseph Angel. Yeshiva University
A God’s-Eye View: The Perception of Sacrifice in Aramaic Levi
Liane Feldman, New York University
Is There 'Poetry' in the 'Prose' of the Genesis Apocryphon?
Moshe J. Bernstein, Yeshiva University
Books and Writings in the Aramaic Texts from Qumran
Devorah Dimant, University of Haifa
What Did Levi Do?
James C. VanderKam, University of Notre Dame
'Seal the Words of the Scroll until the Time of the End' (Daniel 12:4): Hidden Manuscripts and the Search for a New Biblical Past
Eva Mroczek, University of California, Davis
4 Wednesday, June 9, 2021
9:00 - 11:00 AM EDT [4:00 - 6:00 PM IDT]: Legal and Sectarian Texts
Chair: Sidnie White Crawford, University of Nebraska
'Bringing the Messiah(s) Through Law': Reflections upon Completing a New Commentary to the Damascus Document
Steven Fraade, Yale University
Inter-sectarian Polemic in Miqsat Ma`asei Ha-Torah (4QMMT)
Vered Noam, Tel Aviv University
On Timing and Law: A Multimodal Analysis of the Maskil in 4Q259
James M. Tucker, University of Toronto
The Temple Scroll and Mishnah Middot: A Literary Comparison
Lawrence H. Schiffman, New York University
11:00 - 11:30 AM EDT [6:00 - 6:30 PM IDT]: Break
11:30 AM - 1:00 PM EDT [6:30 - 8:00 PM IDT]: Scripture, Scrolls and Second Temple Judaism Chair: Alison Schofield, University of Denver
Why Did Moses Stay for Forty Days and Forty Nights on Mt. Sinai?
Ariel Feldman, Brite Divinity School
Lived Wisdom in Early Judaism
Elisa Uusimäki, Aarhus University
Are the Dead Sea Scrolls Authentic? Insights from Early Qumran Scholarship
Michael Langlois, University of Strasbourg
1:00 - 1:30 PM EDT [8:00 - 8:30 IDT]: Break
5 1:30 - 2:30 PM EDT [8:30 - 9:30 PM IDT]: War and Violence in the Scrolls
Chair: Liane Feldman, New York University
“Deep into that darkness peering “: New Light on the War Scroll (1QM)
Guy Stiebel, Tel Aviv University
The Origins of Violence in the Dead Sea Scrolls: A Sociological Perspective
Alex Jassen, New York University
2:30 - 3:00 PM EDT (9:30 - 10:00 PM IDT]: Closing Remarks and Thanks
Emily Master, Friends of the Israel Antiquities Authority
Joe Uziel, Israel Antiquities Authority
Lawrence H. Schiffman, New York University
- Details
- Written by Simon Wiesenthal Center
The Simon Wiesenthal Center to Mark Jerusalem Day with Special Moriah Films' Clip
In commemoration of Yom Yerushalayim (Jerusalem Day) this upcoming Monday, the Simon Wiesenthal Center’s Moriah Films is proudly featuring a
clip from its acclaimed documentary, The Prime Ministers: The Pioneers, when Jerusalem was victoriously reunified in June, 1967.
This year marks 54 years since the Israeli army overcame Jordanian forces to capture the Old City of Jerusalem and reclaim the holiest site in Judaism, the Western Wall.
.“The Prime Ministers: The Pioneers” can be streamed via iTunes and GooglePlay:
https://vimeo.com/420478013/400da98135
iTunes: https://itunes.apple.com/us/movie/the-prime-ministers-the-pioneers/id1367365502
GooglePlay: https://play.google.com/store/search?q=The%20Prime%20Ministers%3A%20The%20Pioneers&c=movies&hl=en_US
www.moriahfilms.com/film-library/the-prime-ministers-the.html
The Prime Ministers: The Pioneers
Featuring the voices of Sandra Bullock, Michael Douglas, Leonard Nimoy and Christoph Waltz
The Prime Ministers: The Pioneers focuses on 1947 and 1973 when Ambassador Avner worked with Prime Ministers Levi Eshkol and Golda Meir and (then) US Ambassador Yitzhak Rabin.
The Prime Ministers: The Pioneers, is the 13th release by Moriah Films, the Academy Award®-winning documentary filmmaking division of the Simon Wiesenthal Center. Based on the best-selling book by Ambassador Yehuda Avner, The Prime Ministers: The Pioneers takes the audience inside the offices of Israel’s Prime Ministers through the eyes of an insider, Yehuda Avner, who served as a chief aide, English language note-taker and speechwriter to Levi Eshkol, Golda Meir, Yitzhak Rabin, Menachem Begin, and Shimon Peres.
The first of two parts, The Prime Ministers: The Pioneers focuses on Ambassador Avner’s years working with Prime Ministers Levi Eshkol and Golda Meir and then US Ambassador Yitzhak Rabin and reveals new details about the Six-Day War, the development of Israel’s close strategic relationship with the United States, the fight against terrorism and the Yom Kippur War and its aftermath.
Weaving a rich tapestry of history and personal testimonies, The Prime Ministers: The Pioneers brings some of the most important events of the 20th and 21st centuries to life. Starring the voices of Sandra Bullock as Golda Meir, Michael Douglas as Yitzhak Rabin, Leonard Nimoy as Levi Eshkol and Christoph Waltz as Menachem Begin, The Prime Ministers: The Pioneers is written, produced and directed by Academy Award®-winner Richard Trank and co-written and produced by two-time Academy Award®-winner Rabbi Marvin Hier. Grammy and Emmy winner Lee Holdridge composed and conducted the films’ original score.
www.instagram.com/moriahfilms/
www.instagram.com/simonwiesenthalcenter/
twitter.com/moriahfilms
Photo and Video courtesy by the Simon Wiesenthal Center
Museum of Tolerance
