The Austrian Cultural Forum proudly presents the second edition of the “Austrian Film Week” in Israel featuring six recent movies in original version with English and Hebrew subtitles.

 

The opening will take place on 18 February 2017 at Tel Aviv Cinematheque.

 

 

"  I welcome you to the second edition of the Austrian film week in Israel which brings recent cinematographic works to Israel in order to promote the great Austrian movie scene.

Again this year, six recent Austrian movies, including two Israel premieres, in original version with English and Hebrew subtitles will be screened.

The screenings will take place in six cinemathques across the country.

 

The movie selection is very diverse.

The opening film at Tel Aviv Cinematheque will be “Love Maybe” by Austrian director Michael Kreihsl.

The movie talks about citizens of Vienna who encounter a variety of fates as a result of their difficulties in communicating with each other. A series of incidents, some lucky and some unlucky, brings these people together.

 

Three interwoven stories are also at core of the movie “Bad Luck” by director Thomas Woschitz where wrong decisions, chance and the search for happiness are leading the storyline.

“Stefan Zweig : Farewell to Europe” addresses the years of exile in the life of this famous Jewish Austrian writer and was the Austrian entry for the Best Foreign Language Film at the 89th Academy Awards.

“Kuma” by director Umut Dağ on the other hand touches upon deep rooted societal traditionstransported from far to Vienna. In addition to the feature films, two documentaries will be screened.

 

“Safari” by director Ulrich Seidl and “A German Life” featuring Brunhilde Pomsel, former secretary, stenographer and typist of Nazi Propaganda Minister Joseph Goebbels, mirroring the major historical ruptures of the 20th century and German life thereafter.

You can also look forward to our guests who will discuss with you their films right after the screenings.

 

I would like to thank the cinematheques, the filmmakers and of course the many people interested in our screenings for their commitment to Austrian culture and Austrian movies in particular. Without them, this film week would not have been possible.

In addition, I would like to thank my team for the tireless work in preparing and supporting this project. I very much hope that you will enjoy the movies.

 

Johannes Strasser Director of the Austrian Cultural Forum Tel Aviv

 

Programme: http://bit.ly/2layeDs

 

The whole program: https://www.bmeia.gv.at/fileadmin/user_upload/Vertretungen/KF_Tel_Aviv/Dokumente/Brochure_Austrian_Film_Week_2017_final.pdf

 

The link to the trailer: https://www.youtube.com/watch?v=fU_qddpk-T0&feature=share

 

https://www.facebook.com/AustrianCulturalForumTelAviv/

 

 www.bmeia.gv.at/telavivkf

 

 

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 Pasión Latina  Celebrating 100 years of the birth of Alberto Ginastera  Spanish songs and Argentine dances

 

Spanish songs and Argentine dances

Gisele Ben-Dor, Conductor

Virginia Tola (Argentina), Soprano

Aquiles Machado (Venezuela), Tenor

 

De Falla Seven Popular Spanish Songs

Various composers  Arias and Duets from Zarzuelas

Ginastera  "Estancia", Op.8, complete, with narration and singing, Israel Premier

 

 

 

 

Feb. 8th and 9th, Wednesday and Thursday, 20:30

Tel-Aviv Museum of Art, Recanati Auditorium,

27 Shaul Ha Melech Blvd

 

For tickets please
 
 

tickets.ico.co.il

 or call
 
 
 
call 03-518-8846  
 

 

 

 

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The 2017 Eilat Chamber Music Festival took place from February 1st to 4th. It was hosted by the Dan Eilat Hotel, with concerts taking place in the hotel’s Tarshish Hall and the Big Blue Hall. As befits a festival, the Eilat performances offered some programs that were very different to mainstream concert fare. One of the most unique and significant concerts was Israeli pianist Amir Katz’ “Hommage an Liszt”, a complete recital of Liszt Études. In his program notes, Katz reminds the listener that these pieces “represent the peak of writing for piano of the Romantic period”.

 

Katz takes the listener into the world of Liszt Études with the much-loved “Liebestraum” (Dream of Love) No.3, Liszt’s setting of Ferdinand Freilgrath’s impassioned “O lieb’, so lang du lieben kannst” (Oh love, as long as you can love). Known for its singing melody and delicacy, Amir Katz, chose some daring pedalling, orchestrating the nocturne’s demanding sequences with its network of “undercurrents”, its farewell leaving the listener once more in the mystery of his own musings. Then to “Trois études de concert” (1845-1849), suitably referred to by his Paris publisher as “caprices poétiques”. From “Il lamento” (The Lament), in which Katz fires the imagination with the drama inherent in tonal processes, in dissonances melting into harmonic tranquillity, with imposing utterances juxtaposed with fragility, he moves into “La Leggierezza” (Lightness), floating its weightless intricacy, presenting its intensity, his deft, splendidly clean fingerwork taking one back to the gossamer textures of lightness. No less rewarding was his performance of the Impressionistically-hued “Un sospiro” (A Sigh), its huge technical demands (dramatic and theatrical effects in Liszt’s own performances) in no way hampering Katz’ silken melodic lines and the shimmering, flowing arpeggios.

 

Then to the “Zwei Konzertetüden” (1862-1863) composed by Liszt in Rome, with Katz’ playing of “Waldesrauschen” (Forest Murmurs) richly poetic and abundant in nature associations, followed by the playful, imaginative portrayal of “Gnomenreigen” (Dance of the Gnomes), Katz directing the listener’s attention to the piece’s impish, hopping, good-natured whimsy rather than to the fact that this is one of Liszt’s most difficult piano pieces!

 

The second part of the program consisted of Franz Liszt’s “Transcendental Études”, a work begun when the composer was in his teens with its final version published in 1852, when the composer was 41. One of the most challenging piano works of the Romantic repertoire, Schumann viewed the 1838 version of it as “studies in storm and dread for, at the most, ten or twelve players in the world.” In his program notes, Katz, offering the audience the rare opportunity of hearing the work in its entirety, writes that, in his opinion, “transcendental” refers to the work’s “philosophical aspect rather than to the technical side.” Opening with the momentary but uncompromisingly energetic “Preludio”, Katz invites his listeners to join him on a journey of vivid pianistic performance and intense emotions. A kaleidoscope of piano techniques, of the timbres created by textures and registers, of programmatic content (“Mazeppa”, for example) or visual associations, Katz’ warmth of tone and spontaneity, served by his unfaltering technique, gave the pieces an air of freshness, of endless discovery. And beauty of melody is high up on his list of priorities. Creating contrasts between pieces of high drama and massive textures, Katz’ signature tenderness and sensibility was woven into the flowing tranquillity of “Paysage” (Landscape), the subdued swirling and strangely dissonant “Feux Follets” (Will-o-the Wisps), or the personal expression of nostalgia and delicate, ornamented old-world sentiments of “Ricordanza” (Remembrance).

 

The Liszt recital is indeed a major milestone in Amir Katz’ career.  The “12 Études d’éxécution transcendante” constitute a large, all-encompassing slice of life. In presenting them, Katz offers his audience a ravishing array of colours and dynamics in playing that is compelling and frequently stormy but never overblown or opaque. And his interpretation of Liszt is refreshingly devoid of egoism. In Amir Katz’ own words: “Performing the Études as a cycle is a captivating and rigorous autobiographical journey for both listener and performer.”

 

Photo: Maxim Reider

 

http://pamelahickmansblog.blogspot.com

http://pamelahickmansmusicinterviews.blogspot.com

 

 

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 A Brown Folder – Homage to Felix Bloch

Curator: Ruthy Lubin

27. 1. - 28. 2. 2017: Gallery On The Fence, 23 Zeitlin, Tel Aviv

 


“During my visit to “Beit Theresienstadt”, my eyes were caught by a harrowing work of the artist Felix (Ferdinand) Bloch. The picture he drew in 1943, about a year before he was tortured to death, depicts daily life in the ghetto. Felix Bloch, a graphic designer by profession, described symbolically through an impressive sketching technique an episode of chaotic life that had taken place between the ghetto walls. What caught my attention, and to a great extent gave dramatic meaning to the whole picture, was the format Felix Bloch has chosen for his work.
This choice, of course, was not question of his preference but rather stemmed from complete lack of choices. Felix Bloch, who worked at the “Drawing Office” of the Technical Department in ghetto Theresienstadt, simply used an old brown cardboard folder, this was the only “paper” he had. In secret he sketched a visual text, silent testimony, depicting the horrors he had to go through in Theresienstadt. His drawings, later on, served as an evidence during the trials of the Nazis.
 

                                                                                                           
Many artists from Israel and from abroad, such as Shalom Neuman, Rafi Baler, Doron Polak, Esther Beer Percal, Tamar Hirschl, Oshrat Bentor, Bracha Guy, Miriam Shalev, Lea Dolinsky or Edna Elstein
have paid, by their artistic expression, a tribute to Felix Bloch. The only thing they should respect was the basic material – brown cardboard folder. By using various techniques such as print, photography, drawing, collage, readymade, etching, relief, working in oil and acrylic they created a very impressive exhibition arousing memories and pains. Moreover, they honored, in their special way, this gifted artist who perished in the holocaust. This exhibition helped to fulfill the genuine intention of Bloch’s work, i.e. to show to the entire world the real face of the Ghetto.”
Ruthy Lubin
 
Felix (Ferdinand, Friedrich) Bloch was born on August 8, 1898 in Koenigswart (Kynžvart in Czech), Czechoslovakia. Before the war he worked as a graphic designer in Vienna, then in 1938 he emigrated to Milan, Italy, but in the end returned back to Prague. There he worked for the Jewish community teaching classes about graphics of propaganda. On July 30, 1942 he was deported with the transport Aav to Ghetto Theresienstadt where he joined the drawing office at the Technical Department. As many other artists he was drawing in secret, mostly trying to document the daily life in the Ghetto. On July 17, 1944 he was arrested together with a few other artists, transferred to Small Fortress Prison and blamed for „atrocity propaganda“. In reality the artists did try to smuggle their works out of the ghetto but unluckily were caught. Bloch was cruelly tortured and died in the prison on October 31, 1944.
 

 

The Beit Theresienstadt Museum, Kibbutz Givat Chaim Ichud, Emek Chefer was established by an association of survivors of the Ghetto Theresienstadt. The exhibitions are based on documentary material from the Ghetto preserved in its archives. There is also a very active Education Center that tells, in many various ways, the story of Ghetto Theresienstadt to the public.
 

 
The exhibition is a contribution to the International Holocaust Remembrance Day. The original works will be presented in September 2017 in The Ghetto Museum of Terezin Memorial in the Czech Republic.
 
Photo Courtesie Czech Centre Tel Aviv
 
 
 
 
 
 
 
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Over 60 leading women from across the world joined together last month for a panel discussion showcasing Israeli females in the lead.
Organized by The Israel Project (TIP) and the Embassy of Cyprus in Israel, the event served as a platform to discuss and understand the challenges and opportunities facing women in Israeli society in the modern age.
Among the panelists were popular journalist Judy Shalom Nir-Mozes. Former IDF commander Miri Eisin and Israeli Olympic athlete Maayan Davidovich.

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Prime Minister Benjamin Netanyahu, Greek Prime Minister Alexis Tsipras and Cypriot President Nicos Anastasiades, today (Thursday, 15 June 2017), in Thessaloniki, at the third trilateral summit, signed joint statements for the continued strengthening of relations.

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A senior delegation from Tanzania, headed by Dr. Aloyce Nzuki, Permanent Secretary Ministry for Natural Resources and Tourism, arrived in Israel for a series of meetings and events designed to increase cooperation with the Israeli tourist industry, and encourage Israeli tourism and investments to enchanted, exotic Tanzania.

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At a festive ceremony attended by Minister of Education Naftali Bennett, the Lauder Dormitory Building was inaugurated today at the Technion
state of the art building was donated to the Technion by World Jewish Congress President Ronald Lauder and his wife Jo Carole

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09 June 2017 – Jerusalem) The U.S. Permanent Representative of the United States to the United Nations Nikki Haley visited Yad Vashem today. The Ambassador was guided through the Holocaust History Museum by Dr. Robert Rozett, Director of Yad Vashem Libraries, participated in a memorial ceremony in the Hall of Remembrance, visited the Children's Memorial and signed the Yad Vashem Guest Book.

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On Wednesday evening, June 7th, the Embassy of Slovenia in Tel Aviv celebrated 26 years of independence, and 25 years of bilateral relations with Israel. The commemoration was held at the Peres Center for Peace and Innovation in Jaffa. The event was timed to coincide with visits by both the Minister of Education, Science and Sport Dr. Maja Makovec Brencic, and a high-level parliamentary delegation led by National Assembly President Dr. Milan Brglez.

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President Reuven Rivlin today (Wednesday) met at his residence in Jerusalem with United States Permanent Representative to the United Nations, Ambassador Nikki R. Haley.

President Rivlin welcomed her and said, “You are a dear friend of Israel. We appreciate your strong stand on the world’s most important stage, in support of the security of the people and the State of Israel. With your support we see the beginning of a new era. Israel is no longer alone at the UN. Israel is no longer the UN’s punching bag.”

He continued, “When I spoke at the UN on Holocaust Memorial Day, I said that the UN must learn from the lessons of the past, and stand up against hatred and racism. I said it must end its obsession with targeting Israel. Progress has been made. Israel’s standing at the UN has improved. But sadly, we have a long way to go. Both in holding to account, public statements made by officials, and in supporting regulation to reduce the ridiculous number of discussions and resolutions against Israel. This is also true in the Human Rights Council - which has been hijacked as a weapon against Israel - and in UNESCO, where they seek to rub out the history of the Jewish people.”

The President thanked the Ambassador for her great contribution to the State of Israel, and said, “Ambassador Haley, as the representative the US - Israel’s greatest and strongest ally - we appreciate very much your support of Israel, and all you do to stand up for the values of freedom and democracy which we share. Welcome to Israel, welcome to Jerusalem.”

Ambassador Haley thanked the President for his warm welcome and said, “Thank you Mr. President for taking the time to meet with us, it is an absolute thrill to be here in Israel, I so much appreciate the support we have received from the people of Israel. But I feel somewhat guilty because all I did at the United Nations was tell the truth. I have never taken kindly to bullies, and the UN has bullied Israel for a very long time, and we are not going to let that happen anymore. It is a new day for Israel in the United Nations. We just got back from Geneva, talking about the Human Rights Council and hopefully it will be a new day at the Human Rights Council when it comes to Israel.”

She concluded by saying she was greatly looking forward to her visit to Israel and said, “I am looking forward to taking in the history, the beauty, the tradition, and all that comes with the magic of Israel. Thank you very much for having me it is a pleasure to be here.”

Photo credit: Mark Neiman (GPO)

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Friday was a beautiful late spring day; the gardens were lovely, the weather was fine; the guests were elegantly attired; the refreshments were generous and delicious; all the makings of a happy celebration marking the National Day of Sweden. H.E. Carl Magnus Nesser, ambassador of Sweden to the State of Israel, hosted the event at the ambassadorial residence in Herzlia Pituach.

The event was attended by many Swedish nationals living in Israel; Swedish music, Swedish food, Swedish sponsors and a generous open bar – all the makings of a happy event.

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A fundamentally agricultural holiday, Shavuot commemorates the custom of bringing offerings to the Holy Temple from the first fruits of the harvest and the first animals born to the flocks.

Shavuot, the Holiday of Weeks, is one of the three pilgrimage holidays, along with Pesach and Sukkot. These are the holidays on which the whole Jewish people would come to Jerusalem​ in ancient times, when the Holy Temple was there, and would offer animal and grain sacrifices.

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Tel Aviv Eat presents three evenings of tastings and workshops featuring the region’s leading restaurants and most prominent chefs. Entrance is free (including the chefs’ demonstrations), and tasting portions range in price from NIS 20-35. Doors open each evening at 18.00. There are several performance stages, live music, and stands selling beer.

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"Only when we remember the families who were torn apart from everyone they loved, who suffered that terrible darkness and evil, who had endured the unbearable horror of the Holocaust, only then can we prevent this agony from ever repeating." President Donald J. Trump Add a comment

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The Charles Bronfman Auditorium at Habima Square is one of the centerpieces of the Israeli arts and cultural scene, home to the Israel Philharmonic for the last 60 years. On Friday, May 19th, it was home to yet another historic event, with the dedication of the entrance hall to Miri Shitrit of blessed memory.

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President Reuven and First Lady Nechama Rivlin today, (Monday), welcomed President of the United States Donald J. Trump, and First Lady Melania Trump on arrival at Ben-Gurion International Airport, and then at the President’s Residence in Jerusalem.

On his arrival at the President’s Residence, President Trump signed the official guest book and wrote, “It is such a great honor to be in Israel and be with all of my great friends”.

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  Prime Minister Benjamin Netanyahu and his wife Sara, today (Monday, 22 May 2017), at Ben-Gurion International Airport, welcomed US President Donald Trump and his wife Melania with an honor guard.

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President Reuven Rivlin on Tuesday , at a ceremony at the President’s Residence in Jerusalem, received the diplomatic credentials of the new Ambassadors to Israel from Thailand and Spain. Each ceremony began with the raising of the flag and the playing of the national anthem of the visiting country, and - after the presentation of the credentials - the signing of the guest book, before the playing of Israel's national anthem 'Hatikva'.

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JPost.com - Breaking News

UK police determine: Man died of injuries in van attack at London mosque

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UK's Prince Philip has left hospital in London, Buckingham Palace says

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